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La Jungla, Wilfredo Lam

Walking through the Museo Nacional de Bellas Artes’ modernist building dedicated to Cuban art in Havana, I was moved by the multiple galleries dedicated to the art of Wilfredo Lam, an Afro-Chinese Cuban artist. His abstract and figurative work combines elements of surrealism, cubism, and more traditional forms of santeria imagery often as a critique of society’s treatment of the common man. For the first time in almost 30 years, a large scale retrospective of his work is making the rounds in the United States and is currently on view at the Museum of Latin American Art in Long Beach, CA! A simultaneous exhibition of contemporary Cuban Artist Carlos Luna, who was influenced by Lam’s work, is showing at MOLAA as well. Check it!!

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El Gran Mambo, Carlos Luna

Museum of Latin American Art
Long Beach, California
Wilfredo Lam in North America
Until August 31

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Photo by Jose Gomez-Sicre Archives

The Afro-Chinese Cuban artist Wifredo Lam (Cuba, b. 1902, Cuba; Paris, d.1982) is the most celebrated artist of the Caribbean region and the first Cuban artist to be recognized as a master among the mid-20th century modern artists.  Associated with Pablo Picasso during the time of Cubism and Andre Breton in the time of surrealism, Lam contributed a non-European Afro-Cuban voice to the evolution of Western art. His visual language is a synthesis of Cubism, Surrealism, “primitivism”, Negritude, Afro-Cuban history and ethnicity and the religious practice of Santería.  Lam was born of a polyglot heritage; his mother was African, indigenous Cuban and Spanish and his father was a Cantonese Chinese businessman. Lam said about himself, “…from childhood I didn’t know the basis of my ethics or my joy… except that I was a cross-breed of many races.” This cross-hybridization is the basis of Lam’s artistic style, more celebrated today than during his lifetime.