Critical Insanity

By Theme Staff | March 2, 2011 | 0

According to this video, the motorist is still on the loose and the police do not recognize the motorist had the intention to kill the cyclists. Unbelievable.

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Gallery Picks this Week

By Theme Staff | March 1, 2011 | 0

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Courtesy of Mike Ming

This Thursday offers art by Mike Ming at Nepenthes, Jesse Hlebo at Printed Matter, and Jose Parla at Bryce Wolkowitz Gallery. Try to hit all of these if you can!

All Over the Road
‘All Over the Road’ will feature art works by Mike Ming from the past few years in multiple mediums and surfaces showcasing enamels, watercolors, pen and inks, paint markers and photographs, depicting works that were literally created on the road, at either live painting venues or from moving vehicles.

Opening Reception: March 3, 2011 from 7 pm to 10 pm
Nepenthes
307 West 38th street, close to 8 ave.
New York, NY 10018

Still, Life Pt 2: Fabricated Authenticity
Among the pieces on display are a 13,500 sheet stack of Risograph prints, punctured pieces of paper, unique digital prints derived from intentionally damaged negatives, blown-up screen prints of dust, and numbered-edition thumb drives containing Jesse Hlebo’s work, available for donation. Catch a live performance by Lichens.

Opening Reception: March 3, 2011 from 6 pm to 8 pm
Printed Matter
195 Tenth Avenue
New York, NY, 10011

Walls, Diaries, and Paintings
Walls, Diaries, and Paintings features fifteen new paintings, that chronicle Parlá’s exploration of the diverse places and cultures he has traversed. From Istanbul to Havana, from Tokyo to New York, the colors and textures of the neighborhoods and alleyways have found a forceful and moving resolution in Parlá’s works that are both inspirational and revealing.

Opening Reception: March 3, 2011 6 - 9 PM
Walls, Diaries, and Paintings
Bryce Wolkowitz Gallery
505 West 24th St.
New York, NY, 10011
On view from March 3 - April 16, 2011

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Find Nothingtoodoo

By Sugar Vendil | February 24, 2011 | 1

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Around a large and wide cone-shaped salt mound, a focused, genuflected Terence Koh baby steps on his knees, taking occasional breaks to stretch, lie on his stomach, or do an up-dog pose for relief.  There seems to be no system other than to simply rest when tired (I counted his steps and there was no distinguishable pattern). Koh, dressed in his signature white garb, would look straight ahead, eyes set on going nowhere but around the salt. ‘Typical contemporary art’ may be a thought that comes when observing Koh’s performance piece, nothingtoodoo, on view at Mary Boone Gallery, as most guests thought it worth less than five minutes of their time, some literally quickly popping their heads in before deciding that they get the idea already. However, like a painting, there might be more to notice if observed for more than a few seconds.

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Beyond sheer observation, there is a potential experience to be had. Like the idea of the piece’s title itself, there is something to do, and that is nothing. According to the gallery assistant, no press releases were even sent out for this exhibit, which demonstrates a strong commitment to the concept. This concept is so simple, clear and beautiful, yet an ironically difficult idea to get across. Koh remained unfazed with the gallery guests’ quick coming and going, their chit-chattiness in the quiet space, and their obvious need for something, a need that is antithetical to the overall idea of the piece. However, this need highlights the necessity to find nothingtoodoo.

If you have the opportunity to catch Koh’s piece, try to simply remain. As Koh says in his interview with AnOther Magazine, ‘… I was just on the verge of waking up and it came to me when I woke up that I had nothingtoodoo. This was everything I had toodoo. The world has too much everythingtoodoo. Let’s nothingtoodoo together.’

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Simply allow yourself to stay, and you might find some inner peace, even for a moment. Like myself, you could walk quietly behind the artist, inaudible, creating my own quasi-performance of nothingtoodoo. Or, like myself, you can catch a rare opportunity to see Koh get teased by friends, causing the artist to crack a small smile.

nothingtoodoo
February 12 to March 19, Tuesday-Saturday from 10 am- 6 pm
Mary Boone Gallery
541 West 24th St.
New York, NY 10151

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